Young Curators Residency Programme 2010 Coordinated by Stefano Collicelli Cagol

Palazzo Re Rebaudengo, Guarene, Italy May 8 - June 20, 2010; Palazzo Ducale, Genoa, Italy September 18 - October 18, 2010

• Publication 2010

Curators

Coordinator

Stefano Collicelli Cagol

Artists

• Meris Angioletti

  Meris Angioletti was born in 1977, Bergamo, Italy. She lives and works in Paris and Milano, Italy.

  14 15 92 65 35 89 79 32 38 46 26 43 38 32 79 50 28 84 19 71 69 39 93 75 10, 2009
  black and white video - 12'10'' (video still)
  Courtesy the artist and Tiziana Di Caro Gallery, Salerno, Napoli, Italy

• Nico Angiuli

  Nico Angiuli (1981, Adelfia, Italy) is a visual artist, filmmaker and educator based between Berlin and Southern Italy. His practice explores the relationships between labour, migration, agriculture, technology and collective memory through moving images, performance, installations and participatory research. He works with workers, farmers, activists and local communities, combining archival investigation, fieldwork and embodied knowledge. His projects have been presented by the Quadriennale di Roma, MACTE – Museo di Arte Contemporanea di Termoli, Cittadellarte – Fondazione Pistoletto, Istituto Italiano di Cultura di Berlino, MACC Museo d’Arte Contemporanea di Calasetta and MART – Museo di arte moderna e contemporanea di Trento e Rovereto. His work has been supported by Italian Council, PAC – Piano per l’Arte Contemporanea, Cantica21 and EMAP/EMARE. Recent projects include Pfandstraße, on informal bottle collectors in Berlin; Fighting Seeds, a collective research platform focused on seed sovereignty and agroecology; and Stealing Morandi, investigating urban foraging, recycling economies and invisible labour. He teaches performative practices and develops workshops, lectures and collaborative projects across artistic and academic contexts.

  Paccocelere1 Plus #3, 2010
  Site-specific sound sculpture - 70 x 60 x 70 cm
  Courtesy Artecontemporanea, Bruxelles

• Lupo Borgonovo

  Lupo Borgonovo was born in 1985, Milano, Italy , where he lives and works.

  Osso sacro, 2009
  Bronze - 10 x 11 x 5 cm
  Courtesy Fluxia, Milan, Italy

• Chiara Camoni

  Chiara Camoni (1974, Piacenza) lives and works in a small village in the Apuan Alps, Italy. Her practice spans drawing, botanical printing, video, and, above all, sculpture, with a particular focus on ceramics. Many of her works emerge through collaborations with informal communities or within seminars and workshops, reflecting an approach grounded in shared making. In recent years, Il Centro di Sperimentazione has become an integral part of her practice as a form of collective authorship. Recent solo exhibitions include Con te con tutto, curated by Cecilia Canziani for the 61st International Art Exhibition – La Biennale di Venezia (2026); Swarms, a permanent installation for Luci d’Artista in Turin; Erguidas, yacentes at Patio Herreriano, Valladolid; COLONNE at SpazioA, Pistoia (all 2025); Inizio fine. Rotondo. Tutte le cose del mondo. at Palazzo Collicola, Spoleto, and Chiamare a raduno. Sorelle. Falene e fiammelle. Ossa di leonesse, pietre e serpentesse at Hangar Bicocca, Milan (2024). Recent group exhibitions include Portals to Unwritten Time at Perrotin, Paris, and The Gorgeous Nothings: Flowers at Chatsworth (2025); Bangkok Art Biennale, Manifesta 15, Being Mediterranean at MO.CO. Panacée, Montpellier, Reenchantments in Barcelona, and Sheher, Prakriti, Devi at Ishara Art Foundation, Dubai (2024); as well as Into Nature: Time Horizons (2023) and Becoming Flower at MAMAC, Nice (2022).

  Scultura #12, 2009
  Wood and still
  Courtesy SpazioA Gallery, Pistoia, Italy, and private collection, Florence, Italy

• Canecapovolto

  canecapovolto is a collective founded in 1992 in Catania by Alessandro Aiello, Enrico Aresu, and Alessandro De Filippo, and has developed its artistic practice at the intersection of film, sound art, and contemporary art, interweaving diverse narrative languages and techniques: Super 8, video, found footage, writing, radio dramas and podcasts, field recordings, randomness, experimental music, and even collages on paper and graphic works. The goal is the ongoing exploration of the relationship between language and message within unconventional storytelling, the relationship between art and politics, and, of course, the strategic role of the viewer. In 2016, canecapovolto founded Scuola FuoriNorma in Catania, a center for experiential education on sound and image, and subsequently La scatola dei suoni (an archive of field recordings accessible to scholars and sound artists). The four seminars and workshops of Scuola FuoriNorma are often held as part of festivals and events. Parallel projects by cc have given rise to Datapanic (an international thematic digital compilation of 60-second works), Re soundscape, Suono Madre (based on sound art works by students at the Academy of Fine Arts in Catania, in collaboration with RAM radioartemobile in Rome), and L’Elefante nella stanza (in 3 volumes), a collective podcast experiment.

  Se non sono nella luce, è ugualmente vero che non sono mai nelle tenebre. Non ho timore delle tenebre perché non conosco nient’altro, 2000
  Courtesy Gianluca Collica Gallery, Catania, Italy

• Carloni & Franceschetti

  Cristiano Carloni and Stefano Franceschetti studied film animation and painting in Urbino and have been working together since 1995. They have produced videos, installations, electronic stage sets, animated films and photographic work that have been taken up by the art world, yet in disorienting and unusual ways. Their techniques explore the optical processes of vision in the transmutation of matter as well as temporal shifts in memory. Carloni-Franceschetti’s works have been exhibited at numerous cultural institutions, including: Museum of Contemporary Art (Chicago, 2002), Louvre Museum (Paris, 2004), Oxo Tower (London, 2004), Biennale Teatro (Venice, 2005), Central Academy of Fine Arts (Beijing, 2006), Martin Segal Center (New York, 2008), Fondazione Sandretto Re Rebaudengo (Guarene, 2010), Austrian Film Museum (Vienna, 2011), MACRO (Rome, 2018), Romaeuropa Festival (Rome, 2021), Fondation Galeries Lafayette (Paris, 2023), HOUSE (Berlin, 2024). Moreover, the close collaboration with Romeo Castellucci and the Socìetas Raffaello Sanzio has brought their work into a number of noteworthy avant-garde theatre spaces around the globe. With the exhibition ESSO: SHADOWS OOZING GOLD at the Institute for Contemporary Art in Zagreb (2022), they won the 10th edition of the Italian Council.

  Spectrography II, 2003
  Single channel video, black and white, sound - 6'' loop
  Courtesy of the artist

• Manuele Cerutti

  Manuele Cerutti (Turin, 1976) trained at the Albertina Academy of Fine Arts. In 2004 he won the illy Present Future Prize, in 2007 he co-founded Progetto Diogene, and in 2022 he was an Italian Fellow at the American Academy in Rome. His paintings reflect on today’s possibility of infusing pictorial form and performative presence into common, neglected, or discarded objects: plastic waste, fragments, twisted pipes and sticks, bones, stones, and multiform vessels. These objects, together with the human figure—which has reappeared in his most recent works—compose true portraits that investigate postures and personalities through which one can recognize oneself and project one’s own feelings. His work is guided by an anti-hierarchical vision of the world, in which the boundary between the organic and inorganic worlds blurs to create an animist perspective where matter is fully alive and shares in the same vital essence. In 2023, the Maramotti Collection (Reggio Emilia) dedicated an extensive solo exhibition to his work. He has taken part in exhibitions at public and private institutions, including: GAM, Castello di Rivoli, and Fondazione Sandretto Re Rebaudengo (Turin); Triennale and Palazzo Reale (Milan); Collezione AmC Coppola, (Vicenza); Wilhelm-Hack-Museum (Ludwigshafen); ICI (London); Galerie Max Hetzler and 401contemporary (Berlin); and MA2 Gallery (Tokyo).

  La Condanna, 2009-10
  Oil on linen - 85 x 115 cm
  Courtesy of the artist

• Andrea Contin

  Andra Contin was born in 1971, Padova, Italy. He lives and works in Milano, Italy and Venezia, Italy.

  L’entrée des gladiateurs, 2004
  Video - 2'' 35'
  Courtesy the artist

• Andrea De Stefani

  Andrea De Stefani was born in 1982 in Arzignano, Italy. He lives and works in Venice, Italy and Vicenza, Italy.

  Suite 415 (15 piante di basilico interpretano 2 idee di movimento), 2010
  Installation of 15 basil plants in vases with nylon string, 9 x 3.5 m
  Courtesy of the artist

• Nicolò Degiorgis

  Nicolò Degiorgis was born in 1985, Bolzano, Italy, where he lives and works.

  The Hidden Islam, 2009-10
  Seventeen C-prints series - Dimensions variable
  Courtesy the artist

• Federico Del Vecchio

  Federico Del Vecchio is an artist and curator-founder of Flip Project, an artist-run space in Naples, dedicated to critical experimentation and collaborative research. After graduating from the Academy of Fine Arts in Naples, he received a Rotary Foundation Cultural Scholarship in San Francisco, followed by a residency in Los Angeles. He later studied at the Städelschule in Frankfurt and earned an MFA from the Glasgow School of Art. He was awarded a Marie Curie Research Fellowship at the University of Ljubljana, where he became a PhD candidate, and completed CuratorLab at Konstfack University, Stockholm. Del Vecchio has also participated in residencies at HIAP Helsinki and the Banff Centre for Arts and Creativity. Through Flip Project, he has curated exhibitions and public programmes with institutions including Art Metropole (Toronto), the Italian Cultural Institute (Stockholm), Fondazione Morra Greco and MADRE Museum (Naples), while also initiating collaborative projects in unconventional settings beyond museum norms and national borders. He has lectured on independent curatorial practices at Italian and international art academies and, in 2023, was one of two Italian guest curators invited to the International Curatorial Exchange at EXPO Chicago. His work has been exhibited internationally for over twenty years, exploring sculpture, installation, performative writing and the intersection of artistic and curatorial practice.

  Alba will live forever, 2009
  Take-away poster, 70 x 100 cm Courtesy Umberto Di Marino Gallery, Naples

• Rä di Martino

  Rä di Martino was born in Rome and studied in London, graduating with an MFA from the Slade School of Art. She won a fellowship at Columbia University and spent five years in New York before returning to Italy. Her practice explores the passage of time and the discrepancies between epic narratives and lived experiences. Her works often balance pathos with a certain detachment, disrupting the synchronicity between image and text. Her films, video installations, and photographs have been presented at institutions and festivals including MoMA PS1 (New York), Tate Modern (London), NiMK Netherlands Media Arts (Amsterdam), MCA (Chicago), Palazzo Grassi–Punta della Dogana (Venice), Artists Space (New York), Museion (Bozen), Magasin (Grenoble), Busan Biennial, Manifesta, Torino International Film Festival, Kino der Kunst (Munich), Viper Basel, and Transmediale (Berlin). In 2014, she presented her first medium-length documentary The Show MAS Go On at the Venice International Film Festival, winning the Gillo Pontecorvo Award, the SIAE Award, and a Nastro d’Argento for Best Documentary. In 2018 her first feature film Controfigura—winner of the Eurimages Lab Award—premiered at the Venice Film Festival and was nominated for a Nastro d’Argento. In 2018–19 she won the MIBAC Italian Council Award and developed the installation and book Afterall, shown at Mattatoio (Rome) and Kunstmuseum St. Gallen (Zurich, 2020). The same year, her solo exhibition at Museo del Novecento, Florence, with the work L’eccezione, received the first Lio Capital Award. In 2021, she directed the experimental documentary Fuori dai teatri, inspired by the archive of the Teatro di Pontedera. In 2022, she presented solo exhibitions at Forte Belvedere (Florence) and Torre Matta (Otranto) with a new work on Carmelo Bene commissioned by Museo Castromediano di Lecce / Archivio Carmelo Bene. Recent exhibitions include Kant Can’t Can-Can at Fondazione Giuliani, Rome (2025), Electric Whispers at Beirut Arts Center and Fotografia Europea, Reggio Emilia (2025), PLAY IT AGAIN at Forte Belvedere – Museo Novecento, Florence (2023), and Premio Acacia at Museo del Novecento, Milan (2020). She is currently developing her second feature film Ya & Niki, an Italian–French–Lebanese co-production.

  CanCan!, 2004
  Installation with white board and video, color, sound, Single channel video, 4' loop, dimensions variable
  Courtesy of the artist and Monitor Gallery, Rome

• Linda Fregni Nagler

  Linda Fregni Nagler was born in 1976, Stockholm. She lives and works in Milano, Italy.

  The Hidden Mother (work in progress), 2010
  Twelve tintypes and albumen prints re-printed in gelatin silver - 26 x 17 cm each
  Courtesy the artist

• Chiara Fumai

  Chiara Fumai was born in 1978, Roma. She lives and works in Brussels.

  Chiara Fumai presenta Nico Fumai, 2007-10
  Details from performance
  Courtesy the artist

• Alessandro Gagliardo

  Alessandro Gagliardo was born in 1983, Paternò, Catania, Italy. He lives and works in Catania.

  Fallimento, 2010
  Channel A: Dust – Mini dv - 62'' - Channel B: Ghost truck (the spectator and its doubled) 5'18'' sec., dimensions variable
  Courtesy Galleria Gianluca Collica, Catania, Italy

• Giuseppe Lana

  Giuseppe Lana (b. 1979, Catania, Italy). One of the key points of his artistic research is the autobiographical component. His works are developed as a result of a reflection on the context that surrounds the artist whose analysis of certain places and their problems, often politically and anthropologically based, is furthermore expressed through a strong connection with history. In recent works, the artist investigates man’s need – be he a single individual or an entire community – to travel over the earth, questioning how this freedom comes into conflict in contemporary reality with geopolitical interests, state bureaucratic apparatuses and reactionary ideologies. Among his recent shows: Drifting Back and Forth, Giorgio Persano Gallery, Turin, (2023); PASSAGGI, Italian Cultural Institute, Madrid, in collaboration with Giorgio Persano Gallery, (2023); L’aureola nelle cose: sentire l’habitat, 71° Premio Fondazione Michetti, (2020); ÜberMauer, BAM – Biennale Arcipelago Mediterraneo, Palermo, curated by Fondazione Merz, (2019); Durrmu Arts Aboriginal Corporation, Peppimenarti, Australia – partners: The University of Melbourne, IIC Melbourne, IIC Sydney, CO.AS.IT Cultural Centre Melbourne, Durrmu Arts Aboriginal Corporation, curated by Miriam La Rosa and Kade McDonald, (2019); Square, Official Collateral Event of MANIFESTA12, Palermo, curated by Mike Watson, (2018).

  Untitled, 2010
  Halogen heater, fan and subwoofer, dimensions variable
  Courtesy of the artist

• Renato Leotta

  Renato Leotta is an artist born in Turin in 1982; he currently lives and works in Italy. His work stems from a reflection on the landscape. Temporality is the core of his practice and takes shape through the observation of the elements that govern it: the sky, for example, and its relationship with things — the sea, plants, the wind, but also the body and memory. The focus of his research traces back to the Mediterranean and the cosmos — contexts understood as entities that situate his work within a critique of resistance to the rhythms of acceleration and image production. Recent exhibitions include his solo show at Galleria Sprovieri in London; Bourse de Commerce – Pinault Collection, Paris; Castello di Rivoli Museo d’Arte Contemporanea, Turin; the 17th Istanbul Biennial; Gropius Bau, Berlin; Fondazione Sandretto Re Rebaudengo, Masp, São Paulo; and Manifesta 12, Palermo, MAXXI Bulgari Priza in Roma; among others. Leotta was founder of CRIPTA747 in 2008 and Turiner Kunstverein? in 2025 and editor in chief of the research platform and publishing house Istituto Sicilia.

  Abissinia, 2009
  Ultrachrome print Hdr - 50 x 70 cm
  Courtesy the artist

• Eva Marisaldi

  Eva Marisaldi was born in 1966, Bologna, Italy where she lives and works.

  On Air, 2010
  Computers, motor and gymnastic ribbons, dimensions variable
  Courtesy the artist

• Andrea Nacciarriti

  Andrea Nacciarriti (b. 1976, Ostra Vetere) lives and works in Senigallia. His work begins before the object it produces: every interruption is reabsorbed as it occurs, documentation precedes it and takes its place, until the line between what happened and what was transmitted gives way. He graduated from the Academy of Fine Arts, Bologna (2003), and took part in CSAV, Fondazione Ratti, Como (2005), visiting professor Alfredo Jaar. He has shown at MACRO (Rome), PAC (Milan), Le Fresnoy (Tourcoing), La Maison Rouge (Paris), MAMM (Moscow), Villa Croce Museum (Genoa) and Frieze Sculpture (London). Solo exhibitions: Installation View (Kappa Nöun, Bologna, 2023), 00 00 00 00 00 [Essex Street Retail Market] (New York, 2019), Crystallize #003 (Palazzo Ducale, Urbino, 2019), And the Ship Sails On (Pescheria, Pesaro, 2013), No One Knew What Anyone Else Was Doing (CAB, Grenoble, 2011), Sleepingtime (Galleria Franco Soffiantino, Turin, 2007). Awards: New York Prize (2014), Celeste Prize (2011), Terna Prize 03, A Call for a Line (2015). Residencies: ISCP (New York), Red Gate (Beijing), Pro Artibus (Ekenäs). Works are held in public and private collections including Fondation Antoine de Galbert (Paris) and Collezione La Gaia (Busca). Research continues in the Temporary Studios cycle.

  DRAWINGS # 000000001, 2009
  Electric fan and paper
  Dimensions variable
  Courtesy Franco Soffiantino, Turin, Italy

• Nicola Nunziata

  Nicola Nunziata was born in 1984, San Giuseppe Vesuviano, Napoli, Italy. He lives and works in Roma.

  Tommy gun, 2010
  Video, color, sound - 5'' 50' (video still)
  Courtesy of the artist

• Alberto Scodro

  Alberto Scodro was born in Marostica, Vicenza, Italy, in 1984. He graduated in Visual and Performing Arts at IUAV University of Venice, after completing studies in restoration. His artistic research focuses on the relationship between space and matter, the fundamental elements of his practice. Through processes of transformation, mutation, and the evolution of natural organisms, Scodro explores unconventional combinations of artificial and natural materials, creating sculptures, installations, and works on paper. His practice develops through processes of addition and subtraction in relation to existing bodies and environments. Forms, volumes, and word associations generate semantic and visual short circuits, inviting new ways of perceiving materials and their transformations. Heterogeneous in his material experimentation, Scodro investigates universes, phenomena, and forces belonging to different life cycles, from plant cultivation to high-temperature metal and mineral fusions. Tension, pressure, and fusion become methods through which he questions the contemporary relationship between nature, technology, and production. His works are included in important public and private collections. In 2026, his work is presented at the 61st Venice Biennale, as part of the Venice Pavilion.

  Fune, 2010
  Wood, paper, ink, clamps, rope, electric hotplate and pressure cooker. Dimensions variable.
  Courtesy Spazio Monotono, Vicenza, Italy (installation view)

• Lorenzo Scotto Di Luzio

  Lorenzo Scotto di Luzio was born in 1972, Pozzuoli, Napoli, Italy. He lives and works in Berlin and Napoli.

  Big Mama, 2006
  Glass cabinet, electric engines, photocells and bonbonnières - 220 x 230 x 45 cm
  Courtesy Fonti Gallery, Naples, and Collezione Ernesto Esposito, Naples

• Marinella Senatore

  Marinella Senatore (b. 1977, Italy) has developed a multidisciplinary practice spanning tapestry, light sculpture, collage, drawing and performance. For over two decades, her research — rooted in participation, pedagogy and shared knowledge— has involved millions of participants across more than twenty-four countries. Drawing from public celebrations, processional cultures, theatre, music, vernacular traditions and informal systems of knowledge, she constructs layered visual worlds in which personal and collective narratives converge. Recurring motifs —including landscapes, gestures, architectural fragment and text — generate an iconography that runs throughout her practice. These elements operate as part of an evolving contemporary mythology, through which questions of visibility, agency, belonging and transformation are continually renegotiated and reimagined. Her large scale installation draw on the architectural language of Southern Italian “luminarie”, translating temporary structures of celebration into contemporary sculptural forms fostering engagement and assembly. Rather than simply representing participation, Senatore’s works are grounded in long-term workshops, encounters and shared processes, making visible the ways in which collective imagination takes form. Founded in 2012, The School of Narrative Dance (SOND) constitutes the most radical dimension of Senatore’s engagement with collective practices. Developed through workshops, public processions and collective rituals, it functions as an ongoing laboratory for exploring the relationship between the body, pedagogy, cultural transmission and the production of shared narratives.  Senatore’s work has been exhibited internationally by leading institutions including Palais de Tokyo, Paris; Kunsthaus Zürich; Centre Pompidou, Paris; Museum Der Moderne, Salzburg; Museum of Contemporary Art, Chicago; Triennale Milano; Museum Villa Stuck, Munich; Berlinische Galerie; Musée d’art contemporain de Montréal; Castello di Rivoli; MAXXI, Rome; Museum of Contemporary Art, Santa Barbara; Schirn Kunsthalle, Frankfurt; Bundeskunsthalle, Bonn; Extra City Kunsthal, Antwerp; Serlachius Museums, Mänttä; Estorick Collection, London; Kestner Gesellschaft, Hannover; BOZAR, Brussels; Moderna Museet, Stockholm; GNAMC, Rome; Kunsthalle St. Gallen; CAPC Musée d’art Contemporain de Bordeaux and Queens Museum, New York among others. She has realised commissions and public projects for institutions, museums, and foundations including High Line, New York; Palazzo Strozzi, Florence; Generali Foundation, Venice; UCCA, Shanghai; Peggy Guggenheim Collection, Venice; Faena Forum, Miami; Kunsthalle Mannheim; Nuit Blanche, Paris; Steirischer Herbst, Graz; Amsterdam Light Festival; Stiftung Kunst und Natur, Nantesbuch; Millennium Park, Chicago; Southbank Centre, London; BAK, Utrecht; Kulturstiftung St. Moritz; NOOR Riyadh; Dicastery for Culture and Education of the Holy See, Rome and numerous institutions across Europe, Asia, the Middle East and the United States. Senatore has participated in major international biennials and her works are held in public and private collections worldwide, and numerous international public and private collections. Her residencies include ISCP New York, Künstlerhaus Bethanien Berlin, American Academy in Rome, Centre International d’Accueil et d’Échanges des Récollets, Cité internationale des arts, Paris, and Les Laboratoires d’Aubervilliers, Paris. In 2026, she was named Artist of the Year by the Galleria Nazionale d’Arte Moderna e Contemporanea (GNAMC), Rome.

  ROUTE #2, 2010
  Fresnel Light 300W, 500W, wood and mixed media - MT 2.20 x 2 m - MT 2.20 X 1.30 m
  Courtesy Umberto di Marino Gallery, Naples, Italy

• Enrico Serotti
  On Air, 2010
  Computers, motor and gymnastic ribbons, dimensions variable Courtesy the artist

• Alberto Tadiello

  Alberto Tadiello (b. 1983, Montecchio Maggiore, Italy) graduated from the IUAV University of Venice in 2007. Working across drawing, sculpture, and sound, his practice investigates the relationships between nature, energy, technology, and perception. His work has been presented in numerous solo and group exhibitions in Italy and internationally, including 50 lune di Saturno, T2 Torino Triennale, Turin (2008); Science versus Fiction, Bétonsalon, Paris (2009); Experimental Station, CA2M – Centro de Arte Dos de Mayo, Madrid (2011); Terre vulnerabili, HangarBicocca, Milan (2011); Sound Art. Sound as a Medium of Art, ZKM, Karlsruhe (2012); High Gospel, Villa Croce Museum, Genoa (2012); Art or Sound, Ca’ Corner della Regina, Fondazione Prada, Venice (2014); That’s IT!, MAMbo, Bologna (2018); and BIENALSUR, Larreta Museum, Buenos Aires (2025). He has participated in residency programs organized by Dena Foundation for Contemporary Art (Paris), Gasworks International Residency Programme (London), Villa Arson (Nice), HIAP – Helsinki International Artist Programme (Helsinki), Viafarini (Milan), ISCP – International Studio & Curatorial Program (New York), MUNTREF (Buenos Aires), and the Intermix Residency (Riyadh). Since 2019, he has taught at the Academy of Fine Arts in Verona.

  HL, 2009
  Iron bars, stands, bolts, nuts, cables, air compressor, two-tone trumpets, tubes - 280 x 190 x 170 cm. Installation at 'Perarolo09', Perarolo di Cadore.
  Courtesy T293, Naples and Private Collection, Arezzo, Italy

• Mauro Vignando

  Mauro Vignando was born in 1969, Pordenone, Italy. He lives and works in Milano, Italy.

  Untitled, 2010
  Billboard posters and velvet - 105 x 145 x 5 cm
  Courtesy Room Gallery, Milan, Italy

Jury

Carlos Basualdo

Francesco Bonami

Jan Debbaut

Teresa Gleadowe