Lovro Japundžić is a curator and producer based in Zagreb, Croatia. He currently works as a co-director at Miroslav Kraljevic Gallery (GMK), an independent and non-profit art platform and gallery. Since 2019 he’s been working at Mocvara Gallery doing site-specific installations and performances which combine playful and often confrontational approach towards normative structures. He is part of the curatorial collective that runs the international photography festival Organ Vida, mainly focused on image – its production, circulation, and consumption, heavily influenced by digital turnover. In 2018/2019 he participated as a curator in Parallel – European platform for contemporary photography. In 2021/2022 he was part of CuratorLab 2021/2022 at Konstfack, University of Arts, Crafts and Design. Between 2013-2019 he worked as a program selector of the Association for the Promotion of Independent Music Culture – Ziva Muzika, active in promoting innovative approaches to club music.

Una Mathiesen Gjerde is a producer, editor, and curator based in Oslo, Norway. Her research interests and curatorial work is centred around question relating to precariousness, work ethics, and social strategies for togetherness. She has curated exhibitions for institutions such as SALT (Oslo, NO), Studio 17 (Stavanger, NO), Telemark kunstsenter (Skien, NO), and K4 (Oslo, NO), and is currently the director of the artist association and exhibition space BO, The Association of Visual Artists Oslo. Mathiesen Gjerde is a co-founder of the digital art and curatorial network Ergi, and has previously held the position as Head of Production at Fotogalleriet (Oslo, NO), under the directorship of Dr. Antonio Cataldo. She holds an MA in art history from the University of Copenhagen and a BA in cultural entrepreneurship from Uppsala University. Mathiesen Gjerde was a part of CuratorLab 2021/2022 at Konstfack, University of Arts, Crafts and Design.

Mijoo Park is an independent curator and researcher based in Seoul, South Korea. She’s been organizing the discursive platform the Bul-teok. Previously she managed the RAT school of ART, a self-directed artist-run school (2014-2021). Her main curatorial practice investigates modes of institutionality and the roles of different organizations in sustainable artistic practices.
She curated exhibitions and projects including Endless Summer (2020-2021, Seoul and Jeju),  Neither Dark Nor Black (Weekend, Seoul, 2020), Anyang Public Art Project (APAP6, Anyang/assistant curator, 2019), Omni-presence (ONE AND J. +1, Seoul, 2018), and Wishy-washy Bodies (Centre A, Vancouver, 2017) and work as associate curator for Frequencies of Tradition (Incheon Art Platform, 2021- 2022), and grandmothers (Post Territory Ujeongguk, Seoul, 2022). She participated in the 7th Gwangju Biennale International Curator Course (2016), Salzburg Summer Academy (2017), ARKO Creative Academy for Curator (2017), and Mountain School of Arts (2019).