Akis Kokkinos (b. Greece) is an independent curator living between London and Chios Island. Over the last nine years, Akis has worked for major cultural institutions in the UK and Greece, private collections, as well as independent projects.
Akis’ practice is focused on ways to disrupt the ‘objective’ and institutional by introducing or supporting other less appreciated and recognised forms of knowledge. Through multidisciplinary discourses, eco-feminist, non-western approaches, and other non- rational thoughts and philosophies, his practice focuses on the less spoken, invisible or liminal.
He studied the MA Curating contemporary art at the Royal College of Art (2018-2020), fully funded by the NEON scholarship, the Schilizzi Foundation, and the RCA continuation fund.
In 2021, Akis was awarded the DYCP by Arts Council England, worked as a visiting lecturer at the Royal College of Art and was selected for the Young Curators Residency Programme of Sandretto Foundation in Madrid, Spain. During the same year, he also set up DEO projects, the first contemporary art organisation in Chios, supporting transnational dialogue and the existing cultural infrastructure on the island.

Anushka Rajendran is a curator and researcher based in Delhi. Her ongoing curatorial research traces how the notion of “public” has acquired alternative significance to contemporary art in recent years, as well as the aesthetics of engagement within exhibition frameworks. This is informed by her previous research on responses by artists living in India in the 1990s to political and cultural trauma which has since expanded to encompass the South Asia region.
She is the curator of Prameya Art Foundation, Delhi and other projects include Kochi Muziris Biennale 2018 (India), Asian Art Biennial 2021 (Taiwan), and Colomboscope 2022 (Sri Lanka).

Yomna Osman (Egypt, 1990) is a curator, writer, and researcher based between California and Cairo. Her research interest lies in the intersection of forced-migration, gentrification, and power dynamics. Her ongoing research investigates contemporary post-conflict landscapes. She is particularly interested in archival and research-based transdisciplinary practices, with an emphasis on de-colonial and speculative discourses. Osman has held curatorial positions at The Wattis Institute for Contemporary Arts, San Francisco; KADIST, San Francisco; the San Francisco Museum of Modern Art; ArteEast, New York, among others. She has curated exhibitions, performances, and screenings at various institutions and edited several books. She holds an BA from the American University in Cairo in International and Public Law; and a dual MA from the California College of Arts in Curatorial Practice and Visual Criticism.